but instead i am following mike's lead and posting a little bit about what it was like to write a short story in 24 hours.
i was really really not smart about this, actually. both mike and lara are in london, so their time period for writing was 6PM-6PM their time; mine was right on track with the actual writing competition organizers, 12 noon to 12 noon.
jim and i had to teach the Leave No Trace clinic to REI staff members both saturday and sunday, but both classes were at 7:20 in the morning, so i thought i'd just pretty much bank on the class being mostly out of the way by the time i started writing. then i'd do the 2nd class on sunday morning, come back, and write.
of course, things did not go to plan.
we were up at 6:15 on saturday morning, getting ready to go and putting the final touches on our presentation and strategy for the morning. the thing went well, and then we were back at home again, and then i answered some e-mail and fell promptly asleep at 11 until noon. i suspect the fact that it was my first full six-day training week (and i took an extra day off) since...oh, i don't know--last year might have had something to do with the need to nap.
i got up, read the prompt, which had been e-mailed to me (something about writing 950 words on a prompt that involved a winter wedding in a small, drafty church), and then had lunch, percolating.
i rode on my trainer from one until 2:30, then i showered and jim and i went to walk the hound. all the while, i percolated.
i thought, okay, if i really want to win this thing, i'd better find out what they liked in the past. so when we got back home, i went back and read many of the award winners, the first, second, and third-place winners, and instantly felt like, okay, i'm in trouble.
because the thing is, every piece i read had a twist..a funky ending...somethign quirky and interesing about it. (i was particularly charmed by this story.) i suck at ending things. i really, really do. even now, looking at the piece i turned in, i'm not sure where the ending is.
anyway, i read them all, and then i percolated some more, and i banged out something and made jim read it, and by then it was something like 8:30, 9PM. and i was a little freaked. because i knew that there was something critical missing. there wasn't (okay, big shock here) enough resolution. there was, as jim said, "a lot of angst," and then i was looking for a big resolved ending that went BANG! and i got this: "EEEEEeeeeeee..."
and then i thought, this is going to drive me crazy. i need to sleep on it.
so that's what i did. i went to sleep. and got up at 6:30 the next morning, and taught an excellent course to a really receptive class, and made some excellent contacts, all the while thinking, "four hours left...three and a half hours left....argh!"
I had jim stop by mcdonald's on the way back, telling myself that i couldn't actually take the time to feed myself properly (actually, i'd been craving a stupid sausage mcmuffin for days), and then i got home, sat down at my desk, and worked until 11:47, at which point i thought, crap, there's a ton of things i have to add to the end of this, rules i have to follow, like where i'm putting my address and things, and how to send it, and which address to send it to....ARGH!
i spent some time agonizing over that, and then, at 11:54, i thought, shite, what if gmail decides it doesn't want to send this thing? what if the queue is all screwed up? what if WritersWeekly.com's queue is all screwed up?
ARGH!
ARGH!
ARGH!!!
so i checked the thing over one last time, and realized with a shock that all the resolution happened just by adding a few lines of dialogue, a little more raw emotion, a little more angry and a little less subtle, and hit send.
and then i spend the next five minutes anxiously refreshing my mailbox to see whether or not my story had filed.
it did. phew.
then i went to lunch with a friend, ordered a bloody mary, and indulged in a good meal and good company. and then i mucked in the woods for a little while with a pack on, and felt sorry that every short story couldn't be written like that.
it's considered a leisurely, very intellectual, lofty thing to write short stories. but i wonder what would happen to the market if all of us were asked to write under such journalistic deadlines. i'd bet we'd spend less time stuck in our heads all around, when forced to just do.
lara has said she's going to do the next one, too. i'm very excited about that one, as well, although it's a whole quarter away. sigh.
i wish i had thought to save a different draft every time i changed my story. i think that process would be fascinating. when i next do this, i might set up a web cam over my shoulder, just to record the changes, and the process of writing.
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